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  JUMPING JENNY

  Born in 1893, Anthony Berkeley (Anthony Berkeley Cox) was a British crime writer and a leading member of the genre’s Golden Age. Educated at Sherborne School and University College London, Berkeley served in the British army during WWI before becoming a journalist. His first novel, The Layton Court Murders, was published anonymously in 1925. It introduced Roger Sheringham, the amateur detective who features in many of the author’s novels including the classic Poisoned Chocolates Case. In 1930, Berkeley founded the legendary Detection Club in London along with Agatha Christie, Freeman Wills Crofts and other established mystery writers. It was in 1938, under the pseudonym Francis Iles (which Berkeley also used for novels) that he took up work as a book reviewer for John O’London’s Weekly and The Daily Telegraph. He later wrote for The Sunday Times in the mid 1940s, and then for The Guardian from the mid 1950s until 1970. A key figure in the development of crime fiction, he died in 1971.

  JUMPING JENNY

  ANTHONY BERKELEY

  THE LANGTAIL PRESS

  LONDON

  This edition published 2010 by

  The Langtail Press

  www.langtailpress.com

  Jumping Jenny © 1933 Anthony Berkeley

  ISBN 978-1-78002-017-4

  CONTENTS

  I. THE GALLOWS TREE

  II. NOT A NICE LADY

  III. SOMEONE OUGHT TO BE MURDERED

  IV. SOMEONE IS MURDERED

  V. SEARCH PARTY

  VI. ODOUR OF A RAT

  VII. FACTS AND FANCIES

  VIII. THE CASE AGAINST ROGER SHERINGHAM

  IX. THE CASE AGAINST DR. CHALMERS

  X. THE CASE AGAINST DAVID STRATTON

  XI. A HIVE IN THE HELMETS

  XII. UNSCRUPULOUS BEHAVIOUR OF A GREAT DETECTIVE

  XIII. WIPING THE SLATE

  XIV. INQUEST ON A VILE BODY

  XV. LAST GLIMPSES

  TO

  W. N. ROUGHEAD

  “Souvenir—very interesting”

  CHAPTER I

  THE GALLOWS TREE

  I

  From the triple gallows three figures swung lazily, one woman and two men.

  Only a gentle creaking of their ropes sounded in the quiet night. A horn lantern, perched above the triangle of the cross-pieces, swayed in the slight wind, causing the three shadows to leap and prance on the ground in a grotesque dance of death, like some macabre travesty of a slow-motion film in silhouette.

  “Very nice,” said Roger Sheringham.

  “It is rather charming, isn’t it?” agreed his host.

  “Two jumping jacks, I see, and one jumping jenny.”

  “Jumping jenny?”

  “Doesn’t Stevenson in ‘Catriona’ call them jumping jacks! And I suppose the feminine would be jumping jenny.”

  “I suppose it would.”

  “Morbid devil, Ronald,” Roger said curiously. “Aren’t you?”

  Ronald Stratton laughed. “Well, I thought at a murderer-and-victim party the least one could have was a gallows. It took me quite a long time to stuff those chaps with straw. Two of my suits, and an old dress dug up from goodness knows where. I may be morbid, but I am conscientious.”

  “It’s extremely effective,” Roger said politely.

  “It is, rather, isn’t it? You know, I should hate to be hanged. So very ignominious, to say the least. Really, Roger, I don’t think murder’s worth it. Well, let’s go down and have a drink.”

  The two men went towards the door, in a little gable of its own, which led from the big flat roof on which the gallows had been erected into the house. The little gable carrying the door projected at right angles from a larger one, and almost in the angle was a short flight of iron steps leading over the tiles and ending apparently in nothing. The glint of the bright moonlight on the metal caught Roger’s eye, and he jerked his head towards it.

  “What’s up there? Not another flat?”

  “Yes, a small one. I ran a flat across the top of those two parallel gables. They used to be an awful nuisance when there was any snow or stormy weather. I thought the flat roof would be rather pleasant as an observation point; one gets a big view from it. But I don’t suppose I go up there once a year.”

  Roger nodded, and the two passed through the doorway and down the flight of stairs which led from the roof. They crossed the top landing of an ancient well-staircase, passed the open door of a very large room full of oak beams and dim corners in the gabled ceiling, where a dozen murderers and murderesses were dancing on a parquet floor to a very modern radio-gramophone, and walked into another room, scarcely less large, at the end of the landing.

  As they stepped into the lighted area, it could be seen that Roger’s companion was picturesquely dressed in a black velvet suit and knee-breeches; he and his younger brother, David Stratton, represented the Princes in the Tower. Roger himself, clinging, like most of the men present, to the conventional dinner-jacket and black tie, had announced that he was Gentleman George Joseph Smith, of Brides in the Bath fame, who did not know that he ought to have come in a white tie and tails.

  Stratton looked hospitable with bottles. “What will you have?”

  “What have you got?” asked his guest cautiously.

  Roger having been furnished with a tankard of old ale, and his host with a whisky-and-soda, the two men leaned their backs against the heavy oak cross-beam of the wide, open fire-place and, warming themselves pleasantly in the traditional masculine regions, continued to chat lightly upon sudden death.

  Roger did not know Ronald Stratton particularly well. Stratton was something of a dilettante: a man in young middle-age, comparatively wealthy, who wrote detective stories because it amused him to do so. His detective stories were efficient, imaginative, and full of a rather gruesome humour. The idea of this party exactly carried out the light-handed treatment of death in his books. There were about a couple of dozen guests, certainly not more, and each one was supposed to represent a well-known murderer or his victim. The idea was not strictly original, but the embellishment of a gallows on the flat roof was, typically so.

  The party was nominally in honour of Roger, who, with half a dozen others, was staying in the house for the weekend; but Roger himself was not at all sure that he was not an excuse rather than a cause.

  Still, he was not disposed to worry about that. He liked Stratton, who amused him; and the party, not yet an hour old, promised to be a good one. His eye wandered across the room to a far corner, where an exquisitely polished sofa-table, loaded with decanters and glasses, was doing somewhat vulgar duty as a bar. Most of the other guests were dancing to the wireless in the adjoining ballroom, but by the bar Mrs. Pearcey was telling Dr. Crippen the story of her life.

  It was not the first time that Roger’s eye had lingered on Mrs. Pearcey. Mrs. Pearcey seemed to invite the eyes of others to linger upon her; not, indeed, through her good looks, for she had few, nor through anything so coarse as ogling, but simply because she appeared determined that, wherever she might be, she should be noticed. Roger, always on the look-out for types, was interested. He felt, too, that it was probably significant that the lady should have chosen the dowdy but undoubtedly striking role of Mrs. Pearcey rather than the showier costume-part of Mary Blandy. There was a Mary Blandy, and undoubtedly Mrs. Pearcey was the more effective.

  He turned to Stratton. “Mrs. Pearcey over there … I don’t believe I’ve met her yet … it is your sister-in-law; isn’t it?”

  “It is.” Ronald Stratton’s voice had lost its usual humorous tone and become flat and expressionless.

  “I thought so,” Roger said carelessly, and wondered why Stratton’s voice should have changed like that. It was plain that he did not very much like his sister-in-law, but Roger thoug
ht that was hardly sufficient reason for such a very blank tone. However, it was obviously impossible to probe further.

  Stratton began to ask questions about the cases with which his guest had been connected. Roger replied without his customary enthusiasm. His ears were directed towards the low conversation on the other side of the room, which was not so much a conversation as a monologue. It was impossible to hear the words through the music which came from the ballroom, but the tone was eloquent; it meandered on and on, and Roger thought he could detect in it a note of noble endeavour thwarted, mingled with a deeper undercurrent of Christian resignation. He wondered what on earth the woman was talking about so interminably. Whatever it was, Dr. Crippen was plainly bored by it. Roger wished unblushingly that he could hear what it was all about.

  The dance came to an end, and some of the dancers drifted in to the bar. A large man, with one of those pleasant, nobbly faces, strolled up to Stratton and Roger.

  “Well, Ronald, my man …”

  “Hullo, Philip. Been doing your duty?”

  “No, yours. I’ve been dancing with your young woman. Perfectly charming, my dear fellow,” said the newcomer, with an air of naive sincerity which was in itself charming.

  “That’s rather what I think,” Ronald grinned. “By the way, have you met Sheringham? This is Dr. Chalmers, Sheringham.”

  “How do you do?” said the doctor, shaking hands with obvious pleasure. “Your name’s very familiar to me.”

  “Is it?” said Roger. “Good. It all helps sales.”

  “Oh, I didn’t say I’d gone so far as to buy one of your books. But I have read them.”

  “Better and better,” Roger grinned. Dr. Chalmers stayed for a few moments, and then moved off to the bar to get his late partner a drink.

  Roger turned to Stratton. “That’s a particularly nice man, isn’t it?”

  “Yes,” Stratton agreed. “His family and mine, and his wife’s family, were all more or less brought up together; so the Chalmerses are really about my oldest friends. Philip’s elder brother was my contemporary, and Philip is really a closer friend of my brother’s than mine, but I like him immensely. He’s absolutely genuine, nearly always says just what he thinks, and is the only man I’ve ever met called Philip who isn’t a prig. And more I can’t say for any man.”

  “Hear, hear,” Roger agreed. “Hullo, is that the music? I suppose I’d better go and do a bit of duty. Introduce me to somebody I’d like to dance with, will you?”

  “I’ll introduce you to my young woman,” Stratton said finishing off his drink.

  “Odd,” Roger remarked idly. “I always used to think you were married.”

  “I always used to be. Then we had a divorce. Now I’m going to do it again. You must meet my ex-wife some time. She’s quite a nice person. She’s here to-night, with her fiancé. We’re the best friends in the world.”

  “Very sensible,” Roger approved. “If I ever got married so that I could be divorced, I’m sure I should be so grateful to my wife that I’d want to be the best friends in the world with her.”

  They walked together towards the ballroom.

  Roger noticed with interest that Mrs. Pearcey was just in front of them, with an unknown man. Evidently she had torn herself away from Dr. Crippen.

  “I say, Ronald!”

  A low, guarded voice had assailed them from behind. Turning about, they beheld Dr. Crippen clinging, as it were desperately, to a large whisky-and-soda. No one else remained at the bar.

  “Hullo, Osbert!” said Stratton.

  “I say …” Dr. Crippen sidled towards them with a surreptitious air, as one not quite sure whether he is standing on solid ground again or not. “I say …”

  “Yes?”

  “I say,” said Dr. Crippen with a confidential, guilty grin, “is your sister-in-law quite mad, Ronald? Eh? Is she?”

  “Quite,” said Stratton equably. “Come on, Sheringham.”

  II

  Ronald Stratton’s young woman proved to be a charming lady of about his own age, with very fair hair and a delightful smile, who admitted to two children of her own and the name of Mrs. Lefroy. She wore a seventeenth-century dress of white satin brocade, with hooped skirt, which admirably set off her fair colouring.

  “You’ve been married before, then?” Roger asked conversationally, as they began to dance.

  “I still am,” replied Mrs. Lefroy surprisingly. “At least, I think I am.”

  Roger made an apologetic noise. “I somehow thought you were engaged to Ronald,” he said lamely.

  “Oh, yes, I am,” said Mrs. Lefroy brightly.

  Roger gave it up.

  “I’ve got my nisi,” Mrs. Lefroy explained, “but not my absolute.”

  “This seems to be quite a modern party,” Roger observed mildly, swerving somewhat violently to avoid another couple who did not seem to know what they were doing. As they passed, he saw that the couple was composed as to its feminine half of Mrs. Pearcey, who was talking so earnestly to her partner that he was able to devote little attention to the steering of her.

  “Modern?” echoed Mrs. Lefroy. “Is it? Only as regards the Strattons and me, I think—if by ‘modern’ you mean not only readiness to recognise that you’ve made a mistake in your marriage, which is what most married couples always have done, but readiness to rectify it, which is what most of them still haven’t the courage to do.”

  “And yet you’re ready to try again?”

  “Oh, yes. One mistake doesn’t make a series. Besides, I never think a first marriage ought to count, do you? One’s so busy learning how to be married at all that one can hardly help acquiring a kind of resentment against one’s partner in error. And once resentment has crept in, the thing’s finished. Anyhow, there one is, all nice and trained to the house, the complete article for the next comer. After all, one’s got to cut one’s teeth on something, but one doesn’t cherish the dummy for the rest of one’s life, does one?”

  She laughed, and Roger laughed too. “But nature provides a second set of teeth. Haven’t they to be cut on another dummy?”

  “Oh no, they just come already cut. But I’m quite serious, Mr. Sheringham. One isn’t the same person at thirty-four as one was at twenty-four, so why should one be expected to be suitable to the human being who fitted ten years earlier? Probably both of you have developed, on completely different lines. I think one should change partners when one’s development is complete, except of course in the rare cases where the two do happen to have developed together.”

  “You needn’t apologise for your divorce, you know,” Roger murmured.

  Mrs. Lefroy laughed again. “I wouldn’t dream of doing any such thing. It just happens to be a subject I feel rather strongly about. What I think is that our marriage-laws are all on the wrong lines. Marriage oughtn’t to be easy and divorce difficult; it ought to be just the other way about. A couple ought to have to go up before a judge and say, ‘Please, we’ve lived together for two years now and we’re quite certain we’re suited to each other. We’ve got our witnesses here to swear that we’re terribly fond of each other and hardly ever quarrel, and we like the same things; and we’re both quite healthy. We’re certain we know our own minds, so please, can’t we get married now?’ And then they’d get their marriage nisi. And if by the end of six months the King’s Proctor couldn’t prove that they were unsuited after all, or didn’t really love each other, or would be better apart, their marriage could be made absolute. Don’t you think that’s a very good idea?”

  “It’s the best idea I’ve ever heard about marriage yet,” said Roger with conviction, “and I’ve produced a few myself.”

  “Oh, yes, I know. Your idea is that the best thing to do is not to get married at all. Well, there’s something to be said for that. At least, I’m sure my poor brother-in-law-to-be would agree with you.”

  “Ronald’s brother, you mean?”

  “Yes. You know him, I suppose? That tall, good-looking fair young man over
there, dancing with the woman in the leg-of-mutton sleeves—Mrs. Maybrick.”

  “No, I don’t know him. Why would he agree with me?”

  “Oh!” Mrs. Lefroy looked a little guilty. “Perhaps I oughtn’t to have said anything. After all, I only know what Ronald’s told me.”

  “Is it a secret?” Roger pleaded, with unabashed curiosity.

  “Well, I suppose so, in a way. Anyhow, I don’t think I’d better say anything. But I shouldn’t think,” added Mrs. Lefroy with a smile, “that it will be a secret for long. You’ve only got to watch her.”

  “I’ll watch her,” said Roger. “In the meantime, do you mind telling me who you’re supposed to be?”

  “Haven’t you guessed? I thought you were a criminologist.” Mrs. Lefroy looked down, not without pride, at her billowing white skirts.

  “So I am, not a costumier.”

  “Well, the Marquise de Brinvilliers, then. Didn’t you recognise the arsenic-green of my necklace? I thought that was rather a subtle touch.” She picked up her bag and white velvet gloves from the top of the grand piano and glanced round the room.

  “I can see that Ronald’s infecting you,” Roger regretted.

  He was sorry when Ronald came up, as if in response to the glance, and claimed his young woman. Mrs. Lefroy seemed to him a woman of ideas, and women of ideas are rare. So, for that matter, are men.

  III

  Roger drifted, as a man will, to the bar.

  His feeling that the party was going to be an interesting one was confirmed. It pleased him that ex-Mrs. Stratton should be present as well as future Mrs. Stratton, both of them all smiles and friendliness and completely unembarrassed. That is how things should be done in an enlightened age.